Lifelike russet-lacquered full face mask with gold repair beads above the left brow, mounted in darkness
Touch the marks to inspect

Work IX / XII · 2026

Kuronami

黒波 kuronami — the black wave

Sōmen · full war mask

A full sōmen of russet lacquered iron, its left brow carrying beads of gold — not decoration, but an honest repair in the kintsugi manner, marking the single flaw the studio chose to keep.

Atelier
Shirakawa Studio, Wajima
Lineage
Urushi masters, eleventh generation
Acquisition
¥9,700,000
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Craft record

Notes from the bench

The mask is raised from one plate of russet iron and chased to the studio’s severe standard: fierce at ten paces, serene at two. Sōmen are the rarest of war masks — the full face, ears and all, worked until the iron reads as flesh. The interior is lacquered in matte black so it disappears against the wearer’s shadow.

During the final curing a run of hairline stress marks opened above the left brow. The studio’s custom in such cases is absolute: the flaw is not hidden. Each mark was stabilized and dressed in a bead of gold lacquer, entered into the record, and the work was renamed for it — the black wave, broken once.

The horsehair mustache is set strand by strand into lacquer while it cures, a full week of work in a room kept at the humidity of a sea cave.

Provenance

The record of its making

Shirakawa Iori applying black urushi to a curved armor plate in the Wajima studio
Shirakawa Iori · eleventh keeper, Shirakawa Studio · Wajima
  1. Raised

    Single plate, chased by Shirakawa Iori

    August — October 2025
  2. Broken

    Hairlines opened in final curing; kept

    December 2025
  3. Dressed

    Gold urushi beads laid over nine days

    January 2026
  4. Sealed

    Entered into the Register as Work IX of XII

    February 2026

Entered into the Register · Work IX of XII · 2026

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